1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Mutter mit zwei Kindern | The Dancer Moa (mk12) | Death and Maiden (mk12) | Portrait of the Art Critic Arthur Roessler | Girl in Black |
Related Artists:
Ferdinand Leeke
German, 1859-1925
Albert de Balleroy
(1828 -1873 ) - Painter
Gustave Le Gray
French Photographer, 1820-1884,French photographer, painter and teacher. He studied painting with Paul Delaroche until 1843. A study trip to Switzerland and Italy, financed by his parents, followed, but it was cut short by an untimely marriage in 1844, his sudden return to his family's home and the subsequent birth of two children in 1845 and 1846. Skilled in painting as an experimenter with pigments, he was attracted to the experimental side of the new paper negative processes available in France after 1847 and plunged into photography, probably to finance the burdens of the family life newly thrust upon him. His treatise, Trait? pratique de photographie sur papier et sur verre (1850), outlined his own variant of the dry waxed paper negative process using thinner paper, as well as a recipe for collodion on glass negatives rivalling that of the English inventor Frederick Scott Archer (see PHOTOGRAPHY,